1968, France, directed by François Truffaut (aka Stolen Kisses)
I blow hot and cold on Truffaut, but this, the third of the Antoine Doinel films, is generally very charming, and has a genuine feel for the time and place -- offscreen, it's clear that something is going on socially despite the occasional preciousness of the characters and their interactions, which is of course no accident given that it was filmed in the early months of 1968 and released after the events of May.
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